How To Add A Fade On The Bottem Of Photoshop

Photoshop User Guide
Introduction to Photoshop
1. Dream it. Make it.
2. What's new in Photoshop
3. Edit your kickoff photograph
4. Create documents
5. Photoshop | Common Questions
6. Photoshop system requirements
7. Migrate presets, actions, and settings
8. Get to know Photoshop
Photoshop and Adobe services
1. Work with Illustrator artwork in Photoshop
2. Substance 3D Materials for Photoshop
3. Photoshop and Adobe Stock
4. Use the Capture in-app extension in Photoshop
5. Creative Cloud Libraries
6. Creative Deject Libraries in Photoshop
7. Employ the Touch Bar with Photoshop
8. Grid and guides
9. Creating actions
10. Undo and history
Photoshop on the iPad
1. Photoshop on the iPad | Common questions
2. Get to know the workspace
3. System requirements | Photoshop on the iPad
4. Create, open, and export documents
5. Add together photos
6. Piece of work with layers
7. Draw and pigment with brushes
8. Make selections and add masks
9. Retouch your composites
10. Piece of work with adjustment layers
11. Adjust the tonality of your composite with Curves
12. Apply transform operations
13. Crop and rotate your composites
14. Rotate, pan, zoom, and reset the canvas
15. Work with Type layers
16. Work with Photoshop and Lightroom
17. Get missing fonts in Photoshop on the iPad
18. Japanese Text in Photoshop on the iPad
19. Manage app settings
20. Touch shortcuts and gestures
21. Keyboard shortcuts
22. Edit your image size
23. Livestream equally you create in Photoshop on the iPad
24. Right imperfections with the Healing Brush
25. Create brushes in Capture and utilise them in Photoshop
26. Work with Camera Raw files
27. Create and work with Smart Objects
28. Suit exposure in your images with Dodge and Burn
Photoshop on the web beta
1. Common questions | Photoshop on the web beta
2. Introduction to the workspace
3. System requirements | Photoshop on the spider web beta
4. Keyboard shortcuts | Photoshop on the web beta
5. Supported file types | Photoshop on the web beta
6. Open and work with cloud documents
7. Collaborate with stakeholders
8. Apply limited edits to your cloud documents
Cloud documents
1. Photoshop cloud documents | Mutual questions
2. Photoshop cloud documents | Workflow questions
3. Manage and work with cloud documents in Photoshop
4. Upgrade cloud storage for Photoshop
5. Unable to create or save a cloud document
6. Solve Photoshop deject document errors
7. Collect deject certificate sync logs
8. Share access and edit your cloud documents
9. Share files and comment in-app
Workspace
1. Workspace basics
2. Learn faster with the Photoshop Discover Panel
3. Create documents
4. Utilize the Touch Bar with Photoshop
5. Tool galleries
6. Functioning preferences
7. Use tools
8. Touch gestures
9. Touch capabilities and customizable workspaces
10. Engineering previews
11. Metadata and notes
12. Default keyboard shortcuts
13. Touch capabilities and customizable workspaces
14. Identify Photoshop images in other applications
15. Preferences
16. Default keyboard shortcuts
17. Rulers
18. Show or hide non-press Extras
19. Specify columns for an paradigm
20. Undo and history
21. Panels and menus
22. Place files
23. Position elements with snapping
24. Position with the Ruler tool
25. Presets
26. Customize keyboard shortcuts
27. Filigree and guides
Web, screen, and app design
1. Photoshop for blueprint
2. Artboards
3. Device Preview
4. Re-create CSS from layers
5. Slice web pages
6. HTML options for slices
7. Modify slice layout
8. Work with web graphics
9. Create web photo galleries
Prototype and colour basics
1. How to resize images
2. Piece of work with raster and vector images
3. Image size and resolution
4. Learn images from cameras and scanners
5. Create, open, and import images
6. View images
7. Invalid JPEG Marker error | Opening images
8. Viewing multiple images
9. Customize color pickers and swatches
10. High dynamic range images
11. Friction match colors in your epitome
12. Convert between colour modes
13. Color modes
14. Erase parts of an paradigm
15. Blending modes
16. Cull colors
17. Customize indexed color tables
18. Paradigm information
19. Misconstrue filters are unavailable
20. Nearly colour
21. Colour and monochrome adjustments using channels
22. Choose colors in the Colour and Swatches panels
23. Sample
24. Color mode or Image mode
25. Color cast
26. Add a conditional manner change to an action
27. Add swatches from HTML CSS and SVG
28. Chip depth and preferences
Layers
1. Layer nuts
2. Nondestructive editing
3. Create and manage layers and groups
4. Select, group, and link layers
5. Place images into frames
6. Layer opacity and blending
7. Mask layers
8. Use Smart Filters
9. Layer comps
10. Move, stack, and lock layers
11. Mask layers with vector masks
12. Manage layers and groups
13. Layer effects and styles
14. Edit layer masks
15. Excerpt assets
16. Reveal layers with clipping masks
17. Generate image assets from layers
18. Work with Smart Objects
19. Blending modes
20. Combine multiple images into a group portrait
21. Combine images with Auto-Blend Layers
22. Marshal and distribute layers
23. Copy CSS from layers
24. Load selections from a layer or layer mask'south boundaries
25. Knockout to reveal content from other layers
26. Layer
27. Flattening
28. Composite
29. Groundwork
Selections
1. Select and Mask workspace
2. Brand quick selections
3. Get started with selections
4. Select with the marquee tools
5. Select with the lasso tools
6. Select a color range in an image
7. Adapt pixel selections
8. Convert between paths and option borders
9. Channel basics
10. Motion, re-create, and delete selected pixels
11. Create a temporary quick mask
12. Save selections and alpha channel masks
13. Select the paradigm areas in focus
14. Indistinguishable, split, and merge channels
15. Channel calculations
16. Pick
17. Bounding box
Image adjustments
1. Perspective warp
2. Reduce photographic camera shake blurring
3. Healing brush examples
4. Export color lookup tables
5. Conform image sharpness and blur
6. Empathise color adjustments
7. Apply a Brightness/Contrast aligning
8. Arrange shadow and highlight detail
9. Levels adjustment
10. Conform hue and saturation
11. Accommodate vibrance
12. Accommodate color saturation in prototype areas
13. Make quick tonal adjustments
14. Employ special color effects to images
15. Enhance your prototype with color balance adjustments
16. Loftier dynamic range images
17. View histograms and pixel values
18. Match colors in your epitome
19. How to crop and straighten photos
20. Convert a colour image to black and white
21. Adjustment and fill layers
22. Curves aligning
23. Blending modes
24. Target images for press
25. Arrange color and tone with Levels and Curves eyedroppers
26. Adjust HDR exposure and toning
27. Filter
28. Blur
29. Contrivance or fire paradigm areas
30. Make selective color adjustments
31. Replace object colors
Adobe Camera Raw
1. Photographic camera Raw system requirements
2. What's new in Photographic camera Raw
3. Introduction to Photographic camera Raw
4. Create panoramas
5. Supported lenses
6. Vignette, grain, and dehaze effects in Camera Raw
7. Default keyboard shortcuts
8. Automatic perspective correction in Photographic camera Raw
9. How to make non-subversive edits in Camera Raw
10. Radial Filter in Photographic camera Raw
11. Manage Camera Raw settings
12. Open, process, and save images in Camera Raw
13. Repair images with the Enhanced Spot Removal tool in Camera Raw
14. Rotate, crop, and adjust images
15. Adjust colour rendering in Camera Raw
16. Feature summary | Adobe Camera Raw | 2018 releases
17. New features summary
18. Process versions in Camera Raw
19. Make local adjustments in Camera Raw
Image repair and restoration
1. Remove objects from your photos with Content-Enlightened Fill
2. Content-Aware Patch and Move
3. Retouch and repair photos
4. Correct prototype distortion and racket
5. Basic troubleshooting steps to fix most problems
Image transformations
1. Transform objects
2. Suit crop, rotation, and canvas size
3. How to ingather and straighten photos
4. Create and edit panoramic images
5. Warp images, shapes, and paths
6. Vanishing Betoken
7. Use the Liquify filter
8. Content-enlightened scaling
9. Transform images, shapes, and paths
10. Warp
11. Transform
12. Panorama
Drawing and painting
1. Paint symmetrical patterns
2. Draw rectangles and alter stroke options
3. About drawing
4. Draw and edit shapes
5. Painting tools
6. Create and modify brushes
7. Blending modes
8. Add color to paths
9. Edit paths
10. Pigment with the Mixer Brush
11. Brush presets
12. Gradients
13. Slope interpolation
14. Make full and stroke selections, layers, and paths
15. Draw with the Pen tools
16. Create patterns
17. Generate a pattern using the Pattern Maker
18. Manage paths
19. Manage pattern libraries and presets
20. Draw or paint with a graphics tablet
21. Create textured brushes
22. Add dynamic elements to brushes
23. Gradient
24. Paint stylized strokes with the Fine art History Brush
25. Paint with a pattern
26. Sync presets on multiple devices
Text
1. Work with OpenType SVG fonts
2. Format characters
3. Format paragraphs
4. How to create type furnishings
5. Edit text
6. Line and grapheme spacing
7. Standard arabic and Hebrew type
8. Fonts
9. Troubleshoot fonts
10. Asian blazon
11. Create type
12. Text Engine error using Type tool in Photoshop | Windows 8
13. World-Fix composer for Asian Scripts
14. How to add and edit the text in Photoshop
Video and animation
1. Video editing in Photoshop
2. Edit video and blitheness layers
3. Video and animation overview
4. Preview video and animations
5. Paint frames in video layers
6. Import video files and image sequences
7. Create frame animations
8. Artistic Cloud 3D Animation (Preview)
9. Create timeline animations
10. Create images for video
Filters and effects
1. Use the Liquify filter
2. Utilize the Blur Gallery
3. Filter basics
4. Filter effects reference
5. Add Lighting Effects
6. Utilise the Adaptive Wide Angle filter
7. Apply the Oil Paint filter
8. Layer effects and styles
9. Apply specific filters
10. Smudge prototype areas
Saving and exporting
1. Save your files in Photoshop
2. Export your files in Photoshop
3. Supported file formats
4. Save files in graphics formats
5. Motility designs between Photoshop and Illustrator
6. Salvage and export video and animations
7. Save PDF files
8. Digimarc copyright protection
Printing
1. Print 3D objects
2. Print from Photoshop
3. Print with color management
4. Contact Sheets and PDF Presentations
5. Print photos in a picture package layout
6. Impress spot colors
7. Duotones
8. Impress images to a commercial printing printing
9. Improve color prints from Photoshop
10. Troubleshoot press issues | Photoshop
Automation
1. Creating actions
2. Create data-driven graphics
3. Scripting
4. Process a batch of files
5. Play and manage deportment
6. Add conditional actions
7. Almost actions and the Actions panel
8. Tape tools in deportment
9. Add a conditional style alter to an activeness
10. Photoshop UI toolkit for plug-ins and scripts
Color Direction
1. Agreement colour management
2. Keeping colors consistent
3. Colour settings
4. Work with colour profiles
5. Color-managing documents for online viewing
6. Color-managing documents when printing
7. Color-managing imported images
8. Proofing colors
Content actuality
1. Learn about content credentials
2. Identity and provenance for NFTs
3. Connect accounts for creative attribution
3D and technical imaging
1. Photoshop 3D | Common questions effectually discontinued 3D features
2. Artistic Cloud 3D Animation (Preview)
3. Impress 3D objects
4. 3D painting
5. 3D panel enhancements | Photoshop
6. Essential 3D concepts and tools
7. 3D rendering and saving
8. Create 3D objects and animations
9. Epitome stacks
10. 3D workflow
11. Measurement
12. DICOM files
13. Photoshop and MATLAB
14. Count objects in an image
15. Combine and convert 3D objects
16. 3D texture editing
17. Arrange HDR exposure and toning
18. 3D panel settings

Utilise a gradient fill

The Gradient tool creates a gradual blend between multiple colors. You can choose from preset gradient fills or create your ain.

You cannot utilize the Gradient tool with bitmap or indexed-color images.

To fill office of the epitome, select the desired area. Otherwise, the gradient fill is applied to the unabridged agile layer.

Select the Gradient tool . (If the tool isn't visible, hold down the Paint Bucket tool.)

In the options bar, choose a make full from the wide slope sample:

Click the triangle next to the sample to pick a preset gradient fill up.
Click inside the sample to view the Gradient Editor. Select a preset gradient make full, or create a new gradient fill. (See Create a smooth gradient.)

The Neutral Density preset provides a helpful photographic filter for sunsets and other high-contrast scenes.

Select an option to determine how the starting betoken (where the mouse is pressed) and ending point (where the mouse is released) touch on gradient appearance.

Linear Gradient

Shades from the starting bespeak to the ending indicate in a straight line.

Photoshop Linear Gradient

Radial Gradient

Shades from the starting bespeak to the ending indicate in a circular design.

Photoshop Radial Gradient

Angular Gradient

Shades in a counterclockwise sweep around the starting point.

Photoshop Angular Gradient

Reflected Gradient

Mirrors the same linear gradient on either side of the starting bespeak.

Photoshop Reflected Gradient

Diamond Gradient

Shades from the centre to the outer corners of a diamond blueprint.

Photoshop Diamond Gradient

Do the following in the options bar:

Specify a blending mode and opacity for the pigment. (Come across Blending modes.)
To contrary the order of colors in the gradient fill up, select Reverse.
To create a smoother blend with less banding, select Dither.
To use a transparency mask for the gradient fill, select Transparency. (See Specify the gradient transparency.)
To select a method for the gradient fill up, choose from the method options: Perceptual, Linear, or Classic. (See Slope interpolation in Photoshop.)

Position the pointer in the image where you want to set the starting point of the gradient, and drag to define the ending point. To constrain the line angle to a multiple of 45°, hold down Shift as you drag.

Select a gradient in the Gradients panel

Updated in Photoshop 21.0 (November 2019 release)

How to utilize new Presets in Photoshop

Learn all about applying Photoshop's new and improved Presets panels. Julieanne Kost explores everything from swatches to patterns, from gradients to styles and shapes.

Apply gradients to layers

To utilise a gradient to text layers as a layer effect, practise any of the following:

Select one or more text layers in the Layers panel and then click whatsoever gradient in the Gradients panel to apply information technology.
Elevate a slope from the Gradients panel onto the text content on the canvas area.
Drag a gradient from the Gradients console onto a layer in the Layers console.

To employ a gradient to a shape layer as shape fill up, do any of the following:

Select i or more text layers in the Layers console so click any gradient in the Gradients panel to apply it.
Drag a gradient from the Gradients panel onto the text content on the canvass area.
Drag a gradient from the Gradients console onto a layer in the Layers panel.

To employ a gradient to text layers or shape layer as a fill layer, practice any of the post-obit:

Concur Command (Mac)/ Alt (Win) and drag a slope from the Gradients panel onto the text content on the canvas area.
Concord Control (Mac)/ Alt (Win) and drag a slope from the Gradients panel onto a layer in the Layers panel.

To apply a gradient to pixel layers, do the following:

Drag a gradient from the Gradients panel onto a pixel layer in the Layers console.
Photoshop automatically creates a make full layer on top of the pixel layer.

Organize gradient presets into groups

To organize gradients under a new group:

In the Gradients panel (Window > Gradients), click the Create New Group icon.
Specify a grouping proper noun and click OK.
Drag a gradient or use the Shift key to select multiple gradients to elevate them inside the Grouping.

To create nested groups:

Select a group in the Gradients console.
Now, drag and drop that group under another grouping.

Show legacy gradients

From the Gradients panel menu, choose Legacy Gradients.

Return to the default gradient presets

Choose Restore Default Gradients from the Gradients panel menu. Y'all can either replace the current list or append the default library to the electric current list.

Modify how preset gradients are displayed

Choose a display option from the Gradients panel menu:

Text Only

Displays the gradients as a list.

Small or Large Thumbnail

Displays the gradients every bit thumbnails.

Small or Large List

Displays the gradients equally a list with thumbnails.

Rename a preset gradient

If the panel is gear up to display gradients as thumbnails, double-click a gradient, enter a new proper name, and click OK.
If the panel is set to brandish gradients every bit a list or text only, double-click a slope, enter a new name inline, and press Enter (Windows) or Return (Mac OS).

Gradient Editor overview

To display the Gradient Editor dialog box, click the electric current gradient sample in the options bar. (When yous hover over the slope sample, a tool tip reading "Click to edit slope" appears.)

The Gradient Editor dialog box lets yous define a new gradient by modifying a re-create of an existing gradient. You can also add intermediate colors to a gradient, creating a blend betwixt more than than two colors.

Photoshop Gradient Editor dialog box — Gradient Editor dialog box

A. Panel menuB. Opacity finishC. Color stopsD. Conform values or delete the selected opacity or color endE. Midpoint

Save a gear up of preset gradients as a library

Click Salve in the Gradient Editor dialog box, or cull Save Gradients from the Gradient Picker carte in the options bar.

Choose a location for the gradient library, enter a file proper noun, and click Salvage.

You can save the library anywhere. Nonetheless, if you lot place the library file in the Presets/Gradients folder in the default preset location, the library name will announced at the lesser of the panel menu after y'all restart Photoshop.

Load a library of preset gradients

Do i of the following in the Slope Editor dialog box:

Click Load to add a library to the current list. Select the library file you desire to use, and click Load.
Choose Replace Gradients from the panel card to replace the electric current list with a different library. Select the library file you want to use, and click Load.
Cull a library file from the lesser of the panel menu. Click OK to replace the current list, or click Append to append the current list.

Y'all can likewise cull Load Gradients, Replace Gradients, or cull a library of gradients from the Gradient Picker menu in the options bar.

Create a smoothen slope

Select the Gradient tool .

Click inside the slope sample in the options bar to display the Gradient Editor dialog box.

To base the new gradient on an existing gradient, select a slope in the Presets section of the dialog box.

Choose Solid from the Gradient Type pop‑upwards menu.

To define the starting color of the gradient, click the left color finish under the gradient bar. The triangle above the stop turns black , indicating that the starting color is being edited.

To cull a color, do one of the following:

Double-click the color stop, or click the color swatch in the Stops section of the dialog box. Choose a color, and click OK.
Choose an option from the Color pop‑upwards carte in the Stops department of the dialog box.
Position the pointer over the gradient bar (the pointer turns into the eyedropper), and click to sample a color, or click anywhere in the prototype to sample a color from the image.

To define the ending color, click the right color stop under the gradient bar. Then choose a colour.

To arrange the location of the starting point or ending indicate, practise one of the following:

Drag the corresponding color finish left or correct to the location yous want.
Click the corresponding color terminate, and enter a value for Location in the Stops department of the dialog box. A value of 0% places the signal at the far left end of the gradient bar; a value of 100%, at the far right stop.

To adjust the location of the midpoint (where the slope displays an even mix of the starting and ending colors), drag the diamond below the gradient bar to the left or right, or click the diamond, and enter a value for Location.

To add together intermediate colors to a gradient, click beneath the slope bar to define another color end. Specify the color and adjust the location and midpoint for the intermediate point as you would for a starting or catastrophe point.

To delete the color stop you are editing, click Delete, or drag the stop downwardly until information technology disappears.

To control how gradual the transitions are betwixt color bands in the gradient, enter a value in the Smoothness text box, or drag the Smoothness pop‑up slider.

If desired, prepare transparency values for the gradient.

Enter a name for the new gradient.

To save the gradient as a preset, click New later on you have finished creating the gradient.

New presets are saved in a Preferences file. If this file is deleted or damaged, or if you lot reset presets to the default library, the new presets volition exist lost. To permanently relieve new presets, save them in a library.

Specify the gradient transparency

Each gradient fill contains settings that control the opacity of the fill up at different locations on the slope. For instance, you tin can set the starting color to 100% opacity and have the fill gradually blend into an ending color with l% opacity. The checkerboard pattern indicates the amount of transparency in the slope preview.

To adjust the starting opacity, click the left opacity stop above the slope bar. The triangle below the cease turns blackness, indicating that the starting transparency is beingness edited.

In the Stops section of the dialog box, enter a value in the Opacity text box, or elevate the Opacity pop‑upwardly slider.

To adapt the opacity of the end point, click the right transparency cease above the slope bar. Then set the opacity in the Stops section.

To adjust the location of the starting or catastrophe opacity, exercise ane of the following:

Elevate the corresponding opacity end to the left or correct.
Select the corresponding opacity cease, and enter a value for Location.

To suit the location of the midpoint opacity (the indicate midway between the starting and ending opacities), do one of the following:

Drag the diamond above the slope bar to the left or correct.
Select the diamond and enter a value for Location.

To delete the opacity stop you lot are editing, click Delete.

To add an intermediate opacity to the mask, click to a higher place the slope bar to define a new opacity stop. You tin can so adjust and movement this opacity equally you would for a starting or ending opacity. To remove an intermediate opacity, drag its transparency stop up and off the gradient bar.

To create a preset gradient, enter a proper noun in the Proper noun text box, and click New. This creates a new gradient preset with the transparency setting you specified.

Create a noise gradient

A dissonance gradient is a slope that contains randomly distributed colors inside the range of colors that you specify.

Photoshop Noise gradient with different roughness values — Noise gradient with dissimilar roughness values

A. ten% roughnessB. 50% roughnessC. 90% roughness

Select the Slope tool .

Click in the gradient sample in the options bar to display the Gradient Editor dialog box.

To base of operations the new slope on an existing slope, select a slope in the Presets department of the dialog box.

Choose Dissonance from the Gradient Type pop‑up carte du jour, and set the following options:

Roughness

Controls how gradual the transitions are between color bands in the gradient.

Color Model

Changes the colour components yous can adjust. For each component, drag the sliders to define the range of acceptable values. For example, if you cull the HSB model, you lot tin restrict the slope to blue-green hues, loftier saturation, and medium brightness.

Restrict Colors

Prevents oversaturated colors.

Add Transparency

Adds transparency to random colors.

Randomize

Randomly creates a slope that conforms to the settings above. Click the button until yous find a setting yous like.

To create a preset gradient with the settings you've specified, enter a name in the Name text box, and click New.